Ноти

Оригинал

Miserere nostri. Thomas Tallis. A cappella. Sacred , Motet. Language. Latin.

Превод

Miserere ни. Томас Талис. Без инструментален съпровод. Sacred, мотет. Език. Latin.

Оригинал

Miserere nostri is an astoundingly ingenious canon. Most obvious is the canon between the two top voices. mentioned at the foot of page 1. , which sing the same line throughout but half a bar apart. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices. all start singing the same melody at the same time but at four different speeds, two of them in inversion. By bar 6, the Second Bass has already sung the whole of the part assigned to the slowest singer, the First Bass. Amazingly, this fiendish process not only works but produces convincing harmonies which sound as if they are the very raison d’être of this understandably short piece. To enjoy them to the maximum, the music should be taken fairly slowly, so as not to skate over the passing dissonances. from the score of CPDL #6605. Original key. F major. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.

Превод

Miserere Nostri е поразително гениално Canon. Най-очевидно е канона между двата най-добрите гласове. споменато в подножието на страница 1. , Които пеят една и съща линия в цялата но половин бар апарт. В същото време, обаче, различен и по-малко звуков канон е в ход между четири от петте по-ниски гласове. всички започват да пеят една и съща мелодия в същото време, но в четири различни скорости, като две от тях в инверсия. Чрез бар 6 втора Bass вече изпята цялата страна възлага на най-бавния певицата, на първо място Bass. Невероятно, но този дяволски процес не само работи, но произвежда убедителни хармонии, които звук, сякаш те са много Смисълът на тази разбираемо кратко парче. За да им се наслаждават на максимум, музиката трябва да се приема доста бавно, така че да не се пързалят върху преминаващите дисонанси. from the score of CPDL #6605. Оригинален ключ. Фа мажор. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.