Ноти

Оригинал

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Anonymous. in the same codex. Anonymous. A cappella. Sacred , Sequence hymn for the Assumption of the BVM.. Language. Latin. SAA.

Превод

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Анонимен. in the same codex. Анонимен. Без инструментален съпровод. Sacred, Sequence химн за Успение BVM.. Език. Latin. SAA.

Оригинал

A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93. The notes' values, accidentals and colourings are as in the manuscript. The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

Превод

A "sequentia" за Успение на Света Богородица пренаписан от ръкопис tr93 Trent. Бележките "ценности, знаците и оцветители са като в ръкописа. Подписът на време липсва във всички гласове, на "Темпус perfectum" е поета от контекста. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. Стойности бележките "по ligaturæ са както следва. левите upstemmed бележки са semibreves - на unstemmed бележки са Breves - правото downstemmed бележки са longæ. В "Musica ficta" предложения са във файловете MIDI и MusicXML.