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Оригинал
Memento Mori -- An AIDS Requiem. James Adler. Choir sheet music.
Превод
Memento Mori - An СПИН Requiem. James Adler. Хор нотни листове.
Оригинал
Memento Mori -- An AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Men's Choir. Choral Worship Cantata. Larger Works. Masterworks. Score. 20th Century. Masterwork. Sacred. 152 pages. Published by Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.
Превод
Memento Mori - An СПИН Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Хор Sacred. За Orchestra. Мъжки хор. Хорова Worship Кантата. По-големите Works. MASTERWORKS. Резултат. 20th Century. Masterwork. Свещен. 152 страници. Публикувана от Алфред Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Свещен. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.
