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Masterpieces by Serge Lancen.

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Шедьоври на Serge Lancen.

Оригинал

Masterpieces by Serge Lancen. Masterpieces for Band 19. For concert band. Molenaar Masterpieces. CD. Published by Molenaar Edition. ML.311084720. SERGE LANCEN - Serge Lancen was born in Paris on 5 November 1922 in a family of surgeons from father to son. His father was head of the rheumatology ward at the Saint-Antoine hospital. From his early youth onwards, Serge Lancen felt attracted to music while listening attentively when his mother played the classical pieces by Bach, Mozart, Beethoven, Chopin etc. on the piano. All of these classical composers will influence Lancen later. His mother was not only a fine pianist, but also an excellent painter, whereas his father had played the violin in an amateur symphony orchestra. Young Serge never got fed up with listening to the symphonic music concerts that were broadcast every Sunday afternoon and soon he starts learning to play the piano. Not even five years old, he composes a Berceuse. Cradle Song. which will be published much later and which was written down by his mother as little Serge could neither read nor write music yet. When he was eight years old he started studying solfeggio and piano and when he was fifteen, he had written enough piano music in order to give a complete recital with his own compositions. That concert took place at the London Rudolf Steiner Hall in 1937. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. Several composition prizes will follow. among those several Composition Prizes of the French Broadcasting Union, a Prize of the European Radio Union and Composition Prizes warded by the SACEM, the French copyright society. Serge Lancen composed all kinds of music such as chamber music, works for piano, ballet music, a chamber opera commissioned by the French Radio and quite some symphonic compositions. His rather original style is clearly influenced by the great classical composers he heard so often in his youth. Among his early symphonic compositions we mention the Concertino for Piano. 1949. , the Piano Concerto. 1951. and the Symphonie Legere. 1955. Serge Lancen and the symphonic band. There was absolutely nothing that could make one expect Serge Lancen to become one of the great French composers of original wind band music in the 20th century. Indeed, he had grown up in a musical world that was completely focused on the piano and the strings. The soloists he had heard when he accompanied his parents to the Sunday concerts always were either pianists or violinists. To him, winds only had a function in the orchestra when surrounded by the strings and so, he was completely predestined to become a purely symphonic composer. However, fate decided otherwise. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. As Dondeyne wanted to enrich the original contemporary wind band repertoire he not only started composing himself but incited his ancient fellow-pupils to write music for symphonic band. Serge Lancen attended some concerts by this popular wind band and was deeply impressed by the splendid sonorities of the symphonic band with its mass of clarinets, saxophones and saxhorns. Later, he will admit that it was above all the massive sonorous communion of the wind band that attracted him and fascinated him for the rest of his life. For the symphonic composer by training, the upper register of the symphonic band definitely lacked volume and power, but the inventions by Adolphe Sax certainly add exceptional natural colours to the medium and low registers. So it happened in 1960 that Serge wrote a Marche de Concert that he had orchestrated for band by Dondeyne, as he himself was confronted with the huge difficulty of having to cope with the numerous transposing instruments of the symphonic band. A trip to the United States inspired Lancen to write his Manhattan Symphony. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. two other wind band pieces. Serge Lancen discovered the World Music Contest that took place once in four years since 1950 at Kerkrade a small southern Dutch city near the German and the Belgian borders. Serge became a special guest of the World Music Contest since his Manhattan Symphony had been chosen as test piece in the 1st Division in 1966. At the 1970 edition of the WMC, the famous Banda Primitiva of Lliria performed his Mini Symphony in concert, whereas the colliery band DSM played his Manhattan Symphony. In 1974 Serge himself played his Parade Concerto with the Marine Band of the Royal Dutch Navy, in 1978 Cap Kennedy brought the house down as test piece in the 1st Division and in 1981 his Festival Rhapsody, commissioned by the WMC organizers, was the test piece in the 2nd Division. Four years later, still at Kerkrade, Serge played his Concerto de Paris with the Symphonic band of the Maastricht Conservatory of Music and this concert was broadcast on television. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. The Mini Symphonie. 1967. can be considered as his first "complete" composition for symphonic band. Then, still fascinated by this unique sonorous spectrum, Lancen continued to write regularly for symphonic band, especially when he was encouraged by his Dutch publisher Pieter Jan Molenaar who had been impressed by the Manhattan Symphonie at the world premiere by the Musique des Gardiens de la Paix. Paris Metropolitan Police Band. on 29 April 1962 at Argentan. Obsession. 1969. , commissioned by the French Radio for a European composition contest was awarded a First Prize. Next he composed the masterpiece Cape Kennedy. 1969-1970. , a symphonic poem that was immediately very successful even far beyond the borders. Among the numerous wind band compositions. some sixty. we should mention the symphonic sketches Le Mont Saint Michel. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. and Mascarade. 1985. for brass quintet and symphonic band, premiered during the third WASBE world conference in Boston on 20 July 1987. Serge Lancen attended the foundation of the World Association for Symphonic Bands and Ensembles at Manchester in July 1981 and actively supported this organisation for many years. From 1985 to 1991 he was a member of the international board and represented his native country. Besides the already mentioned Mascarade first performed at Boston in 1987, several compositions by Lancen were either premiered or performed at the different WASBE conferences. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. National Police Band. , conducted by Pierre Bigot, at Kortrijk, Belgium on 17 July 1985. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. Principal French Air Force Band. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. the Sonate Concertante for clarinet and symphonic band was performed by clarinettist Mark Vertessen and the Lier Concert Band on 14 July 1993 at Valencia, Spain and the Oboe Concerto was played by the same Belgian band. renamed "Concert Band for Flanders". on 8 July 1997 at Schladming, Austria. Serge Lancen has written several concertos with wind band accompaniment. First of all there are the two piano concertos. Parade Concerto. 1971. premiered by Pierre Nimax at the piano and the Esch-sur-Alzette Municipal Band. Luxemburg. , conducted by Georges Wagner, on 6 April 1972. Serge Lancen often played himself that concerto. so he did with Jan Molenaar conducting the United States Air Force Band in Washington D.C. in 1973 and recorded it with Jan Molenaar conducting the Purdue University Symphonic Band that very same year and in 1971 he had recorded it with the Royal Dutch Military band KMK, conducted by Anne Posthumus. The Concerto de Paris was premiered by the composer and the Royal Dutch Military Band KMK conducted by Jan van Ossenbruggen on 25 November 1983 at Zaandam during a concert celebrating the 50th anniversary of Molenaar Edition. Then there are also concertos for different solo instruments with symphonic band. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. Next to the already mentioned solo pieces, there are also concertos for trombone. 1988. , for French horn. 1991. and for Harp and symphonic band. 1990. All these solo pieces have been recorded by the Symphonic Band of the Brabant Conservatory of Music. The Netherlands. , conducted by Jan Cober. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. It is also quite interesting to know that the Oboe Concerto. 1991. was in fact a new version of the Concerto for Harmonica and Symphony Orchestra. 1954. commissioned and also premiered by Larry Adler at the Birmingham Town Hall, Rudolf Schwarz conducting. The composer has always expressed a preference for his religious compositions. The first one he wrote was Poeme Ecumenique. 1975. based on texts excerpted from the Bible. Psalms 8, 23, 100 and 150. , from books of prayers in their original language. Latin, French, Slavonic, Hebrew. and from individual prayers. The finale is the Hymne de Fraternite written by Roger Thirault. This religious composition, premiered in the Notre-Dame Cathedral of Laon on 12 October 1975, is written for symphony orchestra and. or wind band, soloists and choir. The second religious composition is the Missa Solemnis. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. Then we have the Te Deum. 1991. for tenor and baritone singer, male choir and wind ensemble. 14 instruments. dedicated to the former Paris cardinal Lustiger. Finally there is the Credo. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. Among the later symphonic band compositions by Serge Lancen we should mention Zwiefache Symphonique. 1994. , Hymne aux Musiciens. 1995. , Jour de Fete. 1995. , Jubila. 1996. and the cantata Espaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. He died peacefully on Sunday 10 June 2005 and now rests at the Montparnasse Cemetery in Paris. All those who were lucky to meet Serge regularly were touched by his distinction, his delicacy, his balanced vision and his honesty, characteristics we also find back in his compositions. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.

Превод

Шедьоври на Serge Lancen. Шедьоври за Band 19. За концерт на бандата. Molenaar Шедьоври. CD. Публикувана от Molenaar Edition. ML.311084720. SERGE LANCEN - Serge Lancen е роден в Париж на 5 ноември 1922 г. в семейство на лекари от баща на син. Баща му е бил ръководител на ревматологията отделение в болницата Saint-Antoine. От ранните си младежки нататък, Serge Lancen почувствах привлечен към музиката, докато слушате внимателно, когато майка му играе класическите парчета от Бах, Моцарт, Бетовен, Шопен и т.н.. на пианото. Всички тези класически композитори ще повлияе Lancen по-късно. Майка му е била не само глоба пианист, но и отличен художник, а баща му е свирил на цигулка в аматьор симфоничен оркестър. Young Serge никога не се е дошло до гуша от слушане на симфонични концерти, които се излъчват всяка неделя следобед и скоро той започва да учи да свири на пиано. Дори и пет години, той композира Berceuse. Cradle Song. който ще бъде публикуван по-късно, което бе записано от майка си като малко Serge можеше нито да чете, нито да пише музика още. Когато бил на осем години той започва да учи солфеж и пиано и когато той е бил на петнадесет, той е написал достатъчно музика на пиано, за да се даде пълна съображение със собствените си композиции. Това концерт се състоя в Лондон на Рудолф Щайнер зала през 1937 г.. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. Няколко награди състав ще последват. сред тези няколко Състав Награди на френската Broadcasting съюз, награда на Европейския съюз Radio и състава наградите парира от SACEM, Френската авторското общество. Serge Lancen съставен всички видове музика като камерна музика, произведения за пиано, балет, музика, камерна опера, поръчано от френското радио и немалки симфонични състави. Вместо оригиналния му стил е ясно повлияна от великите класически композитори той чували толкова често в младостта си. Сред ранните му симфонични състави, ние говорим за Концертино за пиано. 1949. , На концерт за пиано. 1951. and the Symphonie Legere. 1955. Serge Lancen и симфоничната групата. Нямаше абсолютно нищо, което може да направи един очакваме Серж Lancen да се превърне в един от най-великите френски композитори от оригиналната лента вятър музика през 20 век. Всъщност, той е израснал в музикален свят, който е напълно фокусиран върху пианото и струните. Солистите бе чул, когато той придружава родителите си да концертите неделя винаги бяха или пианисти и цигулари. За него, ветровете са имали само функция в оркестъра, когато заобиколен от струните и така, той е напълно предопределено да се превърне в чисто симфоничен композитор. Въпреки това, съдбата реши друго. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. Както Dondeyne искаше да обогати първоначалната съвременен вятър банда репертоар той не само започна сам да композира, но склонил древни колегите му ученици да пишат музика за симфоничен лента. Serge Lancen присъстваха някои концерти от този популярен вятър банда и е дълбоко впечатлен от прекрасните звучности придават на симфоничната групата с нейната маса на кларинети, саксофони и saxhorns. По-късно той ще признае, че това е преди всичко масовото звучен общението на вятъра бандата, която го привлича и го очарова за останалата част от живота си. За симфоничен композитор от обучение, горната регистъра на симфоничната бандата определено липсваше обем и мощност, но изобретенията от Адолф Сакс със сигурност добавят изключителни природни цветове на средно и ниско регистрите. Така че това се е случило през 1960 г., че Serge написа Marche де Concert, че той е оркестрирана за лента от Dondeyne, както самият той се сблъска с огромна трудност да се налага да се справят с многобройните транспониращи инструменти на симфоничния групата. Едно пътуване до Съединените щати вдъхновен Lancen да напише своята Manhattan Symphony. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. две други вятър лентови парчета. Serge Lancen открил World Music Contest, която се провежда веднъж на четири години от 1950 в Керкраде малка южния холандски град близо до немската и белгийските граници. Serge стана специален гост на World Music Contest, тъй като му Manhattan Symphony е бил избран като тест парче в първа дивизия през 1966 г.. В издание на WMC 1970, известният Banda Primitiva на Lliria извършва своята Mini Symphony в концерт, докато гризу банда DSM изсвирената му Manhattan Symphony. През 1974 г. самият Серж играе си Parade Concerto с Marine бенда на Royal Dutch Военноморските сили, през 1978 г. Cap Кенеди донесе къщата надолу като тест парче в първа дивизия и през 1981 г. му Festival Rhapsody, поръчано от организаторите WMC, бе изпитваната проба във 2-та дивизия. Четири години по-късно, все още в Керкраде, Serge играе си концерт в Париж с Симфоничния бандата на Маастрихт консерватория за музика и този концерт беше излъчено по телевизията. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. The Mini симфония. 1967. can be considered as his first "complete" composition for symphonic band. След това, все още е очарован от тази уникална звучен спектър, Lancen продължава да пише редовно за симфоничен оркестър, особено когато той е окуражен от холандския си издател Pieter Jan Molenaar, които са били впечатлени от Манхатън симфония на световната премиера на Musique де Gardiens De La Paix. Париж Metropolitan Police Band. на 29 април 1962 г. при Argentan. Мания. 1969. , Поръчано от френското радио за Европейския конкурс за композиция бе присъдена първа награда. Следваща той композира шедьовър Кейп Кенеди. 1969-1970. , Симфонична поема, която веднага бе много успешен дори и далеч отвъд границите. Сред многобройните вятър групата съставите. шестдесет. ние трябва да говорим за симфонични скици Le Mont Saint Michel. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. и Mascarade. 1985. за духов квинтет и симфоничен оркестър, премиера по време на третия WASBE световната конференция в Бостън на 20 юли 1987. Serge Lancen присъства на основаването на Световната асоциация за симфонични Bands и ансамбли в Манчестър през юли 1981 г. и активно подкрепя тази организация в продължение на много години. От 1985 г. до 1991 г. е член на международния борд и представена родната си страна. Освен вече споменатите Mascarade първо извършва в Бостън през 1987 г., няколко композиции на Lancen бяха или премиера или провеждат при различни WASBE конференции. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. National Police Band. , Проведено от Pierre Bigot, в Кортрийк, Белгия на 17-ти Юли, 1985. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. Водещ френски Air Force Band. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. на Соната концертанте за кларинет и симфоничен оркестър изпълнява от кларнетист Mark Vertessen и Концертна Band Lier на 14 юли 1993 г. в Валенсия, Испания и обой концерт се играе по същия белгийската банда. renamed "Concert Band for Flanders". на 8 юли 1997 г. на Шладминг, Австрия. Serge Lancen е автор на няколко концерта с пориви банда съпровод. Преди всичко там са двете клавирните концерти. Parade Concerto. 1971. Премиерата от Pierre Nimax на пианото и Еш-сюр-Alzette Общински Band. Люксембург. , Проведено от Georges Wagner, на 6-ти Април 1972. Serge Lancen често играе себе си, че концерт. така направи с Ян Molenaar провеждане United States Air Force лента в Washington DC през 1973 г. и го записва с Ян Molenaar провеждане на Purdue University симфоничен оркестър същата тази година и през 1971 г. той го записва с Royal Dutch военен оркестър КМК, проведено от Ан посмъртните. The Концерт в Париж бе премиерата на композитора и Royal Dutch Military Band КМК проведено от Ян ван Ossenbruggen на 25 ноември 1983 г. Zaandam по време на концерт в чест на 50-годишнината от Molenaar Edition. Тогава там са и концертите за различни солови инструменти със симфонична група. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. В непосредствена близост до вече споменатите солови парчета, там са и концертите за тромбон. 1988. , За валдхорна. 1991. и за арфа и симфонична банда. 1990. Всички тези солови парчета са записани от Симфоничния оркестър на Брабант музикална консерватория. Холандия. , Проведено от Jan Кобер. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. Тя също е доста интересно да се знае, че обой концерт. 1991. всъщност е нова версия на Концерта за Harmonica и Symphony Orchestra. 1954. поръчано и също премиера от Лари Адлер в общината Birmingham, Rudolf Schwarz провеждане. Композиторът винаги е изразиха предпочитание за неговите религиозни композиции. The first one he wrote was Poeme Ecumenique. 1975. въз основа на текстове, извадки от Библията. Псалми 8, 23, 100 и 150. , От книгите на молитви в оригиналния им език. Латински, френски, славянски, Hebrew. и от индивидуалните молитви. The finale is the Hymne de Fraternite written by Roger Thirault. Този религиозен състав, премиерата в катедралата Notre-Dame на Лаон на 12 октомври 1975 г., е написано за симфоничен оркестър и. или вятър група, солисти и хор. Вторият религиозен състав е Missa Solemnis. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. Тогава ние имаме Te Deum. 1991. за тенор и баритон певец, мъжки хор и ансамбъл вятър. 14 инструменти. посветен на бившия Париж кардинал Люстиже. Накрая там е кредото. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. Сред по-късните симфоничните композиции на групата Serge Lancen трябва да споменем Zwiefache Symphonique. 1994. , Hymn за Музиканти. 1995. , Jour de Fete. 1995. , Jubila. 1996. и кантатата Espaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. Той почина мирно на неделя 10 юни 2005 г. и сега почива в гробището Монпарнас в Париж. Всички онези, които са били късметлии да се срещне Serge редовно са били докоснати от неговата разграничение, неговата деликатност, балансиран си визия и неговата честност, характеристики, ние също да намерят обратно в своите композиции. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.