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Оригинал

Peer Gynt Suite Nr. 1. Edvard Grieg. Grade 4.

Превод

Пеер Gynt Suite Nr. . Едвард Григ. Степен 4.

Оригинал

Peer Gynt Suite Nr. 1. Morning Mood 2. Aase's Death 3. Anitra's Dance 4. In the Hall of the Mountain's King. Composed by Edvard Grieg. 1843-1907. Arranged by Antonio Rossi. For Concert band. Classical, Transcription. Grade 4. Score and set of parts. Duration 14. 00. Published by Scomegna Edizioni Musical srl. S4.ESB976. Edward Grieg. Bergen, 1843 -1907. is regarded as Norway's greatest composer. Music historians classify Grieg as belonging to the Norwegian 19th century national school. His art is without doubt "naif", fresh, candid and different. In 1874. on holiday in Italy. Grieg met fellow Norwegian and playwright Henrick Ibsen, who commissioned him to write the music for the stage version of one of his literary works, "Peer Gynt". The five-act verse drama had its premiere performance in Christiania. now Oslo. in 1876. More than a decade later, Grieg used the 22 pieces of incidental music for the play. Op. 23. to produce two concert suites. Op. 46 and 55. each divided into four episodes. These continue to be his most popular works up to this very day.

Превод

Пеер Gynt Suite Nr. . Morning Mood 2. Aase's Death 3. Anitra's Dance 4. In the Hall of the Mountain's King. Състои се от Едвард Григ. 1843-1907. Организиран от Antonio Rossi. За Concert лента. Класически, преписване. Степен 4. Резултат и набор от части. Продължителност 14. 00. Публикувана от Scomegna Edizioni Musical SRL. S4.ESB976. Едуард Григ. Bergen, 1843 -1907. is regarded as Norway's greatest composer. Music historians classify Grieg as belonging to the Norwegian 19th century national school. His art is without doubt "naif", fresh, candid and different. In 1874. on holiday in Italy. Grieg met fellow Norwegian and playwright Henrick Ibsen, who commissioned him to write the music for the stage version of one of his literary works, "Peer Gynt". The five-act verse drama had its premiere performance in Christiania. Сега Осло. in 1876. More than a decade later, Grieg used the 22 pieces of incidental music for the play. Op. 23. to produce two concert suites. Op. 46 and 55. each divided into four episodes. These continue to be his most popular works up to this very day.