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Оригинал
Divertissement. Clarinet sheet music.
Превод
Забавление. Кларинет нотни листове.
Оригинал
Divertissement composed by Geraldine Green. For clarinet choir. Classical. 21st century. Score and parts. Composed 1991. 84 pages. score. parts vary. Duration 15 to 20 minutes. Published by Alea Publishing. A7.ALEA1090. ABOUT THE WORK. The Divertissement was commissioned by conductor Peter Morris for his Thameside Clarinet Choir in London in 1991. The score was completed in the September of that year and the first performance followed in November 1991. 1992 saw at least two more performances of the piece, also in London by the Thameside Clarinet Choir. The music is tonal, tuneful and highly rhythmic, with varying colours and textures throughout. The first movement begins with a grand, slow introduction, leading into the Allegro Moderato, which announces the bright and cheerful main theme. A slower middle section uses the music from the introduction as well as an inner accompaniment figure of the main theme. There are various solos throughout, which would be played by the section leaders. The sunny main theme then returns towards the end to complete the movement. The slow, second movement is the austere, serious side of the work, and seeks to express the more stark, creepy side of a clarinet choir. The textures are piercing, sometimes aggressive, dark and swirling. The third and final movement, Rondo, is jolly, light-hearted and fun, and is possibly the most technically challenging movement of the piece. There are many time signature changes throughout and the music is fast, spiky, humorous and very mischievous. Again, there are various solos for section leaders, especially for the bass and E flat clarinets. ABOUT THE COMPOSER. Geraldine Green was born in 1967. Her interest in music was awakened when she was 7 years old, during a holiday when she stayed with a family of musicians including the composer John Dunn. At 11 she began the clarinet and piano at the Belfast School of Music, where she studied until the age of 18. It was during this time that Geraldine's passion for composition began, and she began writing her first piano pieces and studying orchestration with the help and encouragement of her teacher Gerry Deignan. In 1986 Geraldine went to the London College of Music to study clarinet with David Campbell and piano with Renalda Mackie. Following a 3 year degree course, she then completed a post graduate diploma in Film Music under Francis Shaw. By then the urge to write music could no longer be contained and in the years that followed she wrote a number of works. These included a Recorder Concertino, the Bass Clarinet Concerto, a Septet for string quintet, flute and harpsichord, and a concerto for B-flat clarinet and orchestra. During these years, Geraldine also wrote four musicals for Herne Hill Primary School in London. Throughout the 1990s Geraldine taught clarinet and piano at Ibstock Place School in Roehapton, London, and this soon led to her producing orchestrations and arrangements for the school's orchestra, band and choir. Through this work she met Peter Morris who commissioned her to write a piece for his Thameside Clarinet Choir. The 3 movement Divertissement was the result. A clarinet quintet, commissioned by Michael Bryant for his clarinet 'play days' was soon to follow. After a break in music writing to start a family, March 2008 saw Geraldine return to writing with a seven movement piece for piano, 'Miscellany'. The year 2009 saw the world premiere of her flute concerto, performed by flautist Gary Woolf. who commissioned the work. and the Chiltern Camerata in High Wycombe, UK, and conducted by composer Simon Lambros.
Превод
Divertissement composed by Geraldine Green. За кларинет хор. Класически. 21-ви век. Рейтинг и части. Съставен 1991. 84 страници. резултат. части варират. Duration 15 to 20 minutes. Публикуван от Alea Publishing. A7.ALEA1090. За работата. The Divertissement was commissioned by conductor Peter Morris for his Thameside Clarinet Choir in London in 1991. The score was completed in the September of that year and the first performance followed in November 1991. 1992 saw at least two more performances of the piece, also in London by the Thameside Clarinet Choir. The music is tonal, tuneful and highly rhythmic, with varying colours and textures throughout. The first movement begins with a grand, slow introduction, leading into the Allegro Moderato, which announces the bright and cheerful main theme. A slower middle section uses the music from the introduction as well as an inner accompaniment figure of the main theme. There are various solos throughout, which would be played by the section leaders. The sunny main theme then returns towards the end to complete the movement. The slow, second movement is the austere, serious side of the work, and seeks to express the more stark, creepy side of a clarinet choir. The textures are piercing, sometimes aggressive, dark and swirling. The third and final movement, Rondo, is jolly, light-hearted and fun, and is possibly the most technically challenging movement of the piece. There are many time signature changes throughout and the music is fast, spiky, humorous and very mischievous. Again, there are various solos for section leaders, especially for the bass and E flat clarinets. ЗА композитора. Джералдин Green е роден през 1967 г.. Интересът й към музиката се събуди, когато е била на 7 години, по време на почивка, когато тя остана с едно семейство на музиканти, включително композитора Джон Дън. На 11 тя започва на кларинет и пиано в Белфаст музикално училище, където учи до 18-годишна възраст. Това беше през това време, че страстта Джералдин за състав започна, и тя започва да пише първите си парчета пиано и учи оркестрация с помощта и насърчението на учителката си Gerry Deignan. През 1986 Джералдин отиде в Лондонския колеж за музика, за да учи кларинет с David Campbell и пиано с Renalda Mackie. След три години специалност, тя след това завършва следдипломна квалификация по филмова музика под Francis Shaw. С това желание да пиша музика вече не може да се съдържа и в следващите години тя пише редица трудове. Сред тях бе Recorder Концертино, на бас кларинет концерт, септет за струнен квинтет, флейта и чембало, и Концерт за бемол кларинет и оркестър. През тези години, Джералдин също пише четири мюзикъли за Herne Hill Основно училище в Лондон. През 1990-те години Джералдин учи кларинет и пиано в Ibstock Place School в Roehapton, Лондон, и това веднага доведе до й произвеждащи оркестрации и договорености за училището оркестър, лента и хор. Чрез тази дейност тя се запознава с Питър Морис, който й е възложено да напише пиеса за неговия Thameside Clarinet Choir. Дивертисмент The 3 движение е резултат. A кларинет квинтет, поръчано от Майкъл Брайънт за неговите кларинет 'Play дни беше най-скоро, за да следвате. След прекъсване на музика писмено да създадат семейство, март 2008 видя Джералдин завръщане в писмен вид с парче от седем движение на пиано, Сборник. През 2009 година се видя, че световната премиера на нея флейта концерт, извършена от флейтист Gary Woolf. което е възложило работата. и правото на ползване на Camerata в Хай Уикъмб, UK, и проведено от композитор Simon Ламброс.
