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Оригинал

Valet will ich dir geben. Naji Hakim. Choir sheet music. Organ Accompaniment sheet music.

Превод

Valet аз ще ви дам. Наджи Хаким. Хор нотни листове. Organ Съпровод нотни листове.

Оригинал

Valet will ich dir geben. 5 Choralvariationen for mixed Choir and Organ. Composed by Naji Hakim. 1955-. For mixed choir and organ accompaniment. This edition. saddle-stitch. Choral Music. ED 21394-01. Choral score. Text language. German. Composed 2011. 20 pages. Duration 11'. Published by Schott Music. SD.49019726. ISBN 9790001187985. With Text language. German. Valet will ich dir geben â“ Du arge, falsche Weltâ' Based on the sacred poem of Valerius Herberger and written in the style of Melchior Teschner's chorale melody, the French composer Naji Hakim. 1955. wrote a moving work for choir and organ. The five chorale variations lead from heavenly joy in the choral parts to a charming setting for solo organ. then Hakim moves on to a setting for a cappella choir and a canon for soprano and alto with organ accompaniment. The expressive work ends with a lively toccata which is complemented by an expressive adagio in the middle.

Превод

Valet аз ще ви дам. 5 Choralvariationen for mixed Choir and Organ. Състои се от Наджи Хаким. 1955 -. For mixed choir and organ accompaniment. Това издание. подшиване. Хорова музика. ED 21394-01. Хорова резултат. Език на текста. Немски. Съставен 2011. 20 страници. Продължителност 11 '. Публикувана от Schott Music. SD.49019726. ISBN 9790001187985. С Текст език. Немски. Valet will ich dir geben â“ Du arge, falsche Weltâ' Based on the sacred poem of Valerius Herberger and written in the style of Melchior Teschner's chorale melody, the French composer Naji Hakim. 1955. wrote a moving work for choir and organ. The five chorale variations lead from heavenly joy in the choral parts to a charming setting for solo organ. then Hakim moves on to a setting for a cappella choir and a canon for soprano and alto with organ accompaniment. The expressive work ends with a lively toccata which is complemented by an expressive adagio in the middle.