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Оригинал

Mallorca, Op. 202. Isaac Albeniz. Harpsichord sheet music. Piano Solo sheet music.

Превод

Mallorca, Op. 202. Исак Албенис. Клавесин нотни листове. Piano Solo нотни листове.

Оригинал

Mallorca, Op. 202. Piano. Composed by Isaac Albeniz. 1860-1909. and Isaac Alb. Edited by Johannes Behr. For Piano. Piano. Harpsichord. , 2-hands. Henle Music Folios. Softcover. 14 pages. G. Henle #HN830. Published by G. Henle. HL.51480830. As with his famous “Asturias,” Albéniz' transcription of “Mallorca” for guitar became a great deal more popular than the original version for piano. He probably composed this tender, dreamy “barcarolle” during his second trip to Mallorca in May 1890. In so doing, he remained faithful to his penchant for portraying regions of his native land in music. Enrique Granados, who admired Albéniz as a friend and patron, is said to have sat down at the piano when the composer was on his deathbed and greatly moved him with a rendering of “Mallorca. ” Today's pianists can play this sophisticated work in an edition with superb engraving which also displays Henle's customary faithfulness to the musical text.

Превод

Mallorca, Op. 202. План. Състои се от Исак Албенис. 1860-1909. and Isaac Alb. Edited by Johannes Behr. За Piano. План. Клавесин. , 2-ръце. Хенле Музика фолиотата. Мека корица. 14 страници. G. Henle #HN830. Публикувано от G. Хенле. HL.51480830. As with his famous “Asturias,” Albéniz' transcription of “Mallorca” for guitar became a great deal more popular than the original version for piano. He probably composed this tender, dreamy “barcarolle” during his second trip to Mallorca in May 1890. In so doing, he remained faithful to his penchant for portraying regions of his native land in music. Enrique Granados, who admired Albéniz as a friend and patron, is said to have sat down at the piano when the composer was on his deathbed and greatly moved him with a rendering of “Mallorca. ” Today's pianists can play this sophisticated work in an edition with superb engraving which also displays Henle's customary faithfulness to the musical text.
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