Превод: Johannes Brahms. piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib. at least doubled. Описание.
Превод: Само план инструмент. Flute или рекордер. План.
Превод: the move on line 4 to the dominant might suggest the 19c. Анонимен. Без инструментален съпровод. Език.
Превод: Почивка. Doddridge ," 1702-1751, but these lyrics could be not be found in Doddridge's Hymns Founded on Various Texts , 1755. L.M.
Превод: До кога ще ме забравиш, Господи. which correspond to the first four verses of the psalm. Sacred, Hymn Meter. C.M.
Превод: , albeit with lines 5 and 6 of the third stanza coming first. Charles H. Гифтън. Без инструментален съпровод. Sacred, Anthem.
Превод: Mozart's Regina Coeli , K. 276, is a Marian antiphon, a type of liturgical chant common in the Gregorian repertory.
Превод: Чух камбаната на Коледа. Лиан Daharja Veitch. Без инструментален съпровод. Светският, Коледа. secular. Език.
Превод: The solo line would suit a soloist from the choir ranks, or a small group of mixed voices from second soprano and first alto.
Превод: Miserere ни. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch.
Превод: Ехо. or difficult to achieve in many choral settings, especially middle schools and smaller high schools.
Превод: his first sopranos down to join the second sopranos during this section. Лиан Daharja Veitch. Без инструментален съпровод. Език.
Превод: from the erotic plea to spend "one hour, or less, or more" with the woman in question,. Без инструментален съпровод. Светският, Song.
Превод: , Beethoven was suffering from a lingering illness, first contracted in October, 1816. Ludwig van Beethoven. Език.
Превод: Opferlied, Opus 121б. , in 1823-4. Ludwig van Beethoven. План. Светският, Lied. Език. Немски. SSATB. 1761-1831.
Превод: I мен, предвидена. Маги Furtak. Без инструментален съпровод. Sacred, Anthem. Език. Английски. SSAATB.
Превод: Music, когато меки гласове умират. Филип Право. Светският, Partsong. Език. Английски.
Превод: and the third line. to be sung by both men and women, doubled at the octave, which results in a very rich 6-part harmony.